#SILVERSTACK LTO PRO#
#SILVERSTACK LTO SOFTWARE#

A new folder ( Livegrade5 or LivegradeStudio5) is created and the projects from LiveGrade Pro v4 are migrate there.The migration dialog is shown, choose “Copy existing projects”.Start Livegrade Pro v5 or Livegrade Studio v5.

by adding “ _original” to the folder name.

#SILVERSTACK LTO SOFTWARE#

Rename the folder for the software of version 5: Depending on which application you are using, rename the Livegrade5 or LivegradeStudio5 folder, e.g.Navigate to ~/Library/Application Support/Pomfort/ in your home directory (To navigate there in Finder, choose “Library” in the “Go” menu of Finder – this option is only visible with the “Alt” key pressed).This can be done by temporarily moving the existing v5 projects away ,letting the software migrate all old projects and move any data created with the v5 application back: Migrating Projects ManuallyĪs the project format is different between v4 and v5, you need to trigger the migration in the software. If you have already been working with an application of version v5 and haven’t migrated your projects yet, you can also migrate projects and settings later manually. When starting a v5 application for the first time, the software asks if projects should be migrated, or if you want to start with an empty library. You can move projects and settings from LiveGrade Pro v4 to Livegrade Pro v5 and Livegrade Studio v5. The post Using the Colorfront Film Grading Mode appeared first on Pomfort Knowledge Base. You can work around a few limitations by capturing a pre-graded image (capturing the output of FS-HDR) in Livegrade. See HD-SDI Signal Recording and Frame Grabs for information about capturing “LUT box output (graded)”. Display of scopes of a captured live signal, frame grabs, and recorded clips.Processing of frame grabs and recorded clips in the viewer.This means that the following features are not working the same way as with non-proprietary color processing pipelines (such as LUT and CDL or ASCES): Using the proprietary Colorfront Film color processing pipeline has a few consequences for other features in the application.Īs the processing is happening in the FS-HDR, the application is currently only communicating and storing parameters for the color processing pipeline, but has no information about the actual color transforms.

See Exporting Look Metadata for more information on exporting CFE files. Looks stored in the application’s shot and look library can be exported as CFE files for further processing in products capable of processing images in the Colorfront Film color processing pipeline. When clicking “Neutral” in the bottom bar of the main window, or choosing “Reset All Nodes To Neutral” from the Grade menu, all parameters are reset and the color processing pipeline set to Rec.709 input and output. When clicking “Reset Colors” in the bottom bar of the main window, or choosing “Reset Color Nodes Only” from the Grade menu, the following parameters are reset: The order of the mentioned sections cannot be changed. All CDL nodes are combined into one set of CDL nodes when transferring look metadata for the Colorfront Film color processing pipeline.Ĭlick “Edit” in the header bar of the grade controls to add additional CDL nodes or remove nodes.ĬFE Look: In this section you can set additional creative parameters such as two independent looks (selection of a set of predefined looks), a blend factor between these looks, and an HDR amount.ĬFE Out: This section holds all controls that define the output, such as output range and colorspace, a SDR preview and PQ output nit level for HDR output transforms. The ASC-CDL is applied in the color space selected as “Grading Colorspace”.Īlthough the Colorfront Film color processing pipeline only supports one set of ASC-CDL, you can have more than one CDL nodes in the grading mode.

exposure and color temperature), and the grading color space.ĬDL: This is a creative grading mode compatible with ASC-CDL. The controls are grouped into three sections:ĬFE In: This section includes the input transform (for matching the incoming signal color space), scene-referred parameters (e.g. The controls of the Colorfront Film grading mode

Silverstack lto